In preparation

The Violin Begins, a salon evening for  Full Circle – Brussels

June 9^th 2022

Peter Sheppard Skærved

Post concert discussion. Full Circle, Brussels 9 6 22 Photo Malene Skaerved

Violins by Andrea Amati (1572), Girolamo Amati (1629)

Solo Works 1588-1710

Giovanni Bassano (1550-1617)   Ricercata Ottava (Ricercata/Passagi et Cadentie 1585)

Biaggio Marini (1594-1663)         Sonata per il violin solo semplice & Capriccio per sonare il violino con tre corde à modo di Lira (Pub.1618)

Thomas Baltzar (1630-1663)       Four Tunings (Scordatura AEac#)

Nicola Matteis (fl. c. 1670 – 1717?) G Major Prelude (1676)

Heinrich Biber (1644-1704)         D Major Rosenkranz-Sonate ‘Auffindung im Tempel’ (Scordatura Adad) (ca. 1680)

Le Sieur de Machy (fl. 1655–1700)        Menuet, Courante et Double (Pièces de Violle en Musique et en Tablature) (Publ. 1685)

Anonymous/Klagenfurt MS (ca.1685)   G Minor Suite (Scordatura GDad)

Giuseppe Torelli (1658 – 1709)              E minor Prelude (Publ. 1700)

Johann Joseph Vilsmayr                G minor Partia (‘Artificiosus Concentus pro Camera’) (Scordatura GDad) (Publ. 1715)

Sadie Harrison (Australia/UK)      ‘…ballare una passacaglia di ombre…’

Mihailo Trandafilovski (Macedonia)      ‘Grain-Song’

David Gorton (UK)                          Rosetta Caprice

Evis Sammoutis (Cyprus)              ‘Resonance’ (Nicosia Etudes)

Hafliði Hallgrimsson (Iceland)      Klee Sketches

Naji Hakim (Lebanon/France)      ‘Miroir’