In preparation
The Violin Begins, a salon evening for Full Circle – Brussels
June 9th 2022
Peter Sheppard Skærved

Post concert discussion. Full Circle, Brussels 9 6 22 Photo Malene Skaerved
Violins by Andrea Amati (1572), Girolamo Amati (1629)
Solo Works 1588-1710
Giovanni Bassano (1550-1617) Ricercata Ottava (Ricercata/Passagi et Cadentie 1585)
Biaggio Marini (1594-1663) Sonata per il violin solo semplice & Capriccio per sonare il violino con tre corde à modo di Lira (Pub.1618)
Thomas Baltzar (1630-1663) Four Tunings (Scordatura AEac#)
Nicola Matteis (fl. c. 1670 – 1717?) G Major Prelude (1676)
Heinrich Biber (1644-1704) D Major Rosenkranz-Sonate ‘Auffindung im Tempel’ (Scordatura Adad) (ca. 1680)
Le Sieur de Machy (fl. 1655–1700) Menuet, Courante et Double (Pièces de Violle en Musique et en Tablature) (Publ. 1685)
Anonymous/Klagenfurt MS (ca.1685) G Minor Suite (Scordatura GDad)
Giuseppe Torelli (1658 – 1709) E minor Prelude (Publ. 1700)
Johann Joseph Vilsmayr G minor Partia (‘Artificiosus Concentus pro Camera’) (Scordatura GDad) (Publ. 1715)
Sadie Harrison (Australia/UK) ‘…ballare una passacaglia di ombre…’
Mihailo Trandafilovski (Macedonia) ‘Grain-Song’
David Gorton (UK) Rosetta Caprice
Evis Sammoutis (Cyprus) ‘Resonance’ (Nicosia Etudes)
Hafliði Hallgrimsson (Iceland) Klee Sketches
Naji Hakim (Lebanon/France) ‘Miroir’
Posted on June 18th, 2022 by Peter Sheppard Skaerved